ZOMBI CHILD, Bertrand Bonello’s Stirring, Atmospheric Genre Mash-up, Opens at Film at Lincoln Center & Quad Cinemas on 1/24 – Movie News

Geno
OPENING IN NEW YORK CITY AT FILM AT LINCOLN CENTER
& QUAD CINEMA ON JANUARY 24, 2020
 
“Zombi Child looks and sounds beautiful, lush, and immersive – writer-directors this intellectually ambitious are rarely such seductive stylists…
the film is thrilling to watch, because it truly feels like anything is possible
as Bonello teases different directions the film might head. Zombi Child 
is the rare film that’s both rich in ideas and fun, a reckoning with 
forces colonial powers would like buried, but that won’t stay dead. “
— Joe Blessing, The Playlist
  
Zombi Child marches to an innocuous and bone-chilling beat 
before unfurling its tapestry of the sacred, absurd, and tragic.”
— Caroline Cao, Slash Film
 
“With Zombi Child [Bonello] takes a genre and blows it to smithereens 
by mashing horror with voodoo, teen coming-of-age, and, of course, the
ever-popular zombie thriller…[he] effectively tackles themes such as
 freedom, slavery and white privilege. And the final 20 minutes 
are absolutely riveting…”
— Frank J. Avella, Edge Media
 
SYNOPSIS
 
ZOMBI CHILD, from director Bertrand Bonello (Nocturama, Saint Laurent) injects history and politics into an unconventional cross-genre film. Opening in 1962 Haiti, the horror-fantasy follows the real-life story of Clairvius Narcisse (Mackenson Bijou), who falls dead on the street but is soon turned into a “zombi” when he is dug up from his grave and forced to work on a sugar-cane plantation. Shifting to present-day Paris at the Légion d’honneur boarding school, a rebellious teen named Fanny (Louise Labèque) befriends Melissa (Wislanda Louimat), who moved to France when her parents died in the 2010 Haiti earthquake. After recruiting her into a secret literary sorority, Fanny learns of Melissa’s connection to Clairvius, and becomes obsessed with her new friend’s past and culture, soon doing the unthinkable: seeking out her voodoo mambo aunt to solve her recent heartbreak. Jonathan Romney of Screen Daily said, “Mixing political commentary, ethnography, teenage melodrama and genre horror, the film is an unashamedly cerebral study of multiple themes…taking us on a journey that’s as intellectually demanding as it is compelling”.
 
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